“No, we don’t,” she said, “not those of us who think. We know we shall never oust man from his place. He will always be the greater. We want to help him; that’s all.” The Greysons lived in a small house squeezed into an angle of the Outer Circle, overlooking Regent’s Park. It was charmingly furnished, chiefly with old Chippendale. The drawing-room made quite a picture. It was home-like and restful with its faded colouring, and absence of all show and overcrowding. They sat there after dinner and discussed Joan’s news. Miss Greyson was repairing a piece of old embroidery she had brought back with her from Italy; and Greyson sat smoking, with his hands behind his head, and his long legs stretched out towards the fire.!

“We old fellows feel a little sadly, at times, how unimportant we are,” he explained. “We are grateful when Youth throws us a smile.” “Oh, yes,” he answered. “But I tried the wrong way.” “The right way might be found,” he added, “by the right man, and woman.”

Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. They went into the drawing-room. Her father asked her to sing and Arthur opened the piano for her and lit the candles. She chose some ballads and a song of Herrick’s, playing her own accompaniment while Arthur turned the leaves. She had a good voice, a low contralto. The room was high and dimly lighted. It looked larger than it really was. Her father sat in his usual chair beside the fire and listened with half-closed eyes. Glancing now and then across at him, she was reminded of Orchardson’s picture. She was feeling sentimental, a novel sensation to her. She rather enjoyed it. She walked home instead of taking the bus. She wanted to think. A day or two would decide the question. She determined that if the miracle did not happen, she would go down to Liverpool. Her father was on the committee of one of the great hospitals; and she knew one or two of the matrons. She would want to be doing something—to get out to the front, if possible. Maybe, her desire to serve was not altogether free from curiosity—from the craving for adventure. There’s a spice of the man even in the best of women.